The theatre is a huge part of what inspires me with plays from playwrights such as Eugene Ionesco that question the meaning of life and Antonin Artaud’s horrific imagery. The Australian sketch comedy group Aunty Donna inspires me to incorporate an absurd sense of humour into what I create and motivates me to be silly and light-hearted. Nick Cave also heavily incorporates childhood into his work and influenced my exploration of texture and costume.įilms such as Daisies (1966) directed by Věra Chytilová and Hausu (1977) directed by Nobuhiko Obayashi are huge inspirations for me pushing the limits of film, using colourful and stylized imagery to portray unexplainable chaos, also influencing my outlook on the world. Yayoi Kusama is a huge influence on my artwork with her use of bold colour, shape and form and her ideas of self-obliteration also heavily influenced my thematic exploration. The experience of childhood was the starting point of everything, however as I explored the theme, I didn’t want to just reminisce over my idealized childhood but show how it is a state of mind that we incorporate throughout our lives. I aim to help comfort myself taking a less pessimistic view of the world with childish optimism, soft fur, bright colours and shapes. I wanted to reintroduce the fun and chaos that I have associated with childhood using costume that I know can bring catharsis to the buried child within. I believe that childhood is a state of mind that can exist at any point in our lives.Īs I (like most young adults) begin my journey into adulthood the systematic and soul crushing nature of adult life has weighed down on me. As it combines a lot more concepts than previous VCE pieces of mine, I wanted to make sure all the detail and complexities were spelled out coherently, which proved to be a challenge. The most challenging aspect of my work came when having to fully articulate all the meanings and nuances of the piece in my visual diary. Interesting/challenging aspects of creating the work … Photoshop was also utilized in order to create a rough reference for my full-scale piece. The actual finished piece is simply pencil on paper, however mixed media studies of bulls and human/female anatomy were made during the development stages of my process. While they were less of an influence in Growing Pains, their art styles, personal philosophies and role in the creative industry has always remained in my head during creation. Thirlwell (Scraping Foetus Off The Wheel), the films of Alejandro Jodorowsky, as well as the art of J. Major sources of inspiration for me include the musical works of J.G. As a result, Picasso became influence on my work, alongside feminist creature-feature horror such as Ginger Snaps, written by Karen Walton. From there, I took to investigating symbolism of animal-human hybrids in history, which drew me to the Minotaur, as well as Spanish bull practices. My artistic process for the piece began with an examination of the mythological art of Medieval manuscripts, which often involved anthropomorphisms as allegories for social and political conditions of the time. This presents a commentary on the role of young women in the modern age, and stands to subvert the association between bulls and ‘unbridled masculinity.’ Thus, the illustration utilises animal motifs and mythological symbolism to commentate on the treatment of female sexuality in media. The use of the bull – typically associated with hyper-masculinity and male sexuality, works to warp the symbolism, which’s sexuality is heightened by the penetrative gaze of the bull. The title of the piece is ‘Growing Pains,’ and seeks deconstruct the popular trope of ‘teenage monster-hood’, where in horror, maturation is depicted as a corrupting force. Waverley Christian College, Wantirna South Lowther Hall Anglican Grammar School, Essendon Swinburne Senior Secondary College, Hawthorn Princes Hill Secondary College, Carlton North Princes Hill Secondary College, Princes Hill Victorian College of the Arts Secondary School, Southbank St Pauls Anglican Grammar Schoor, Warragul
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